Critic assessments @ cristinabolborea.ro

Maria Antónia Pinto de Matos Director Museu Nacional do Azulejo [The National Tile Museum]

The Islamic memoirs that leave an indelible mark on a certain Portuguese aesthetic matrix, found in tile art one of the happiest expressions. These “polished stones,” as very expressed the name itself “al zulej”, become fundamental components in structuring the national architectures. Thanks to the illusionism that it causes, catch the materialization of space, the […]

Extreme Artistic Temperature. Red Code

A hermeneutics of distances (between raw and finished, between inner and outer drawing, between the colour before and after the fire) can remind us ho[...]

World in the Effigy

In his/her moments of skepticism and uncertainty, the artist from the space of decorative arts does all that lies in the possible to deny his/her iden[...]

Laying fired

In the ’70s – ’80s, the Romanian ceramic art knew of a real rivalry between two academic centers (the Bucharest Capital and the Transylvanian Cl[...]

Orfevrerie in ceramics

In general, the Artist is the being most fascinated by the happening. He/she loves to distraction (sometimes also beyond its limit) to rely on what we[...]

Razvan Theodorescu Academician / Member of the Romanian Academy

When I entered the latest exhibition opened by the ceramist Cristina Bolborea under the old vaults in brick of Brancovan Palace Gheţăria [The Ice Ho[...]